Afro-American Folk Songs: A Study in Racial and National Music

by Henry Edward Krehbiel

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Henry Edward Krehbiel (1854 – 1923) was an American music critic and author. Krehbiel’s interest in music developed at a young age, and he pursued his passion by studying music theory and composition. However, he soon turned to music criticism and journalism, becoming a prominent figure in the field. He wrote for various publications, including the New York Tribune and the New York Times, where he served as the chief music critic for many years.

One of Krehbiel’s notable contributions was his advocacy for American music and composers. At a time when European classical music dominated the American musical scene, Krehbiel sought to highlight the richness and value of American musical traditions. He championed American composers such as Charles Ives, Edward MacDowell, and John Philip Sousa, and he wrote extensively on the subject, promoting a greater understanding and appreciation of American music.

Krehbiel also played a significant role in the development of musicology as an academic discipline in the United States. He conducted research on the origins and evolution of music, delving into the historical and cultural contexts of various musical traditions. His writings on music history and theory helped shape the early foundations of music scholarship in America.

Aside from his work as a music critic and author, Krehbiel was involved in musical organizations and served as the president of the Manuscript Society of New York and the Mendelssohn Glee Club. He also lectured on music and taught courses on music history at various institutions.

This new edition is dedicated to Professor Guillermo De Los Reyes of the University of Houston, mentor to many and extraordinary author.