The Rise of the Book Plate: An Exemplative of the Art

by W. G. Bowdoin, Introduction by Henry Blackwell

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Bookplates were made to denote ownership and hopefully steer the volume back to the rightful shelf if borrowed. They often contained highly stylized writing, drawings, coat of arms, badges or other images of interest to the owner. Theearliest known form of a bookplate originates from roughly 1390 BCE, in Egypt. They became popular throughout Europe during the Middle Ages, and since have appeared throughout the world, being especially popular in larger personal libraries and book lending societies.

William Goodrich Bowdoin (1860–1947) wrote passionately and a great deal on the art of books, including book plates. His works include American Bookbinders, published in 1902. He published frequently under his initials, W. G. Bowdoin. In this particular work, Bowdoin has collected a fascinating variety of bookplates from around the world to showcase different styles.

This edition is dedicated to Larissa Watkins, librarian and bibliographer extraordinary, friend to countless authors.

 

The Etchings of Rembrandt: A Study and History

by P. G. Hamerton

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Philip Gilbert Hamerton (1834-1894) was an Englishman who was devoted to the arts in numerous forms. He became an orphan at the age of ten; his mother died giving birth to him, and he ended up living with two aunts when he turned five. Five years after that, his father died. At first, he tried his hand at poetry, but his work was not well received. He moved onto painting, in particular, landscape painting. However, his work was also not well-received. On a more positive note, while he was painting in the Scottish Highlands, he met his wife, Eugénie Gindriez. While his painting and poetry was not fawned over, his book, Painter’s Camp in the Highlands, published in 1863, was lauded. Due to the praise, Hamerton stuck with art criticism, and went on to write other works, such as Etching and Etchers (1866) and Contemporary French Painters (1867). He also wrote novels, biographies, and reflections on society.

This new edition is dedicated to Gordon Alt, whose energetic lifelong efforts for the arts have saved many important works that otherwise would have perished.

 

 

The History of Men’s Raiment

by The Edson Lewis Company

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Strouse & Brothers, originating out of Baltimore, published this unique tract on the history of men’s fashion in the European world. The work begins with a very brief history of fashion, and then links the Strouse & Brothers firm to that history of high quality fashion. It offers a fascinating look at early forms of advertising in the United States, and of course, fashion and changing tastes. Strouse & Brothers considered itself a purveyor of “High Art fashion.” The high quality illustrations included reveal that “High Art fashion” has developed very different meanings over the years. For Strouse & Brothers, it simply meant well-tailored suits paired with fashionable hats in 1910. Strouse & Brothers enjoyed a long history in Baltimore, becoming one of the largest clothiers in the city. It was founded in 1868 by Leopold Strouse, one of six brothers who emigrated from Germany to the United States.

 

Peasant Art in Sweden, Lapland and Iceland

by Charles Holme

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Art made by those not traditionally trained has several terms, including outsider art, folk art, raw art and peasant art. This particular work offers a carefully chosen selection of both the decorative
and fine arts of Sweden, Iceland, and the northern-most region of Finland. A comprehensive survey, it includes paintings, jewelry, textiles, metalwork, carving, furniture and pottery.

Charles Holme (1848-1923) was an art critic who promoted peasant art, and edited numerous books to share the artwork, including Old Houses in Holland (1913); Peasant Art in Russia (1912); and The Art of the Book (1914). Holme was born in England, and enjoyed the privileged life as the son and heir of a silk manufacturer. He also worked in the same field, even expanding the business into Japan. He retired in 1892 and then turned full-time to the arts. He began The Studio: An Illustrated Magazine of Fine and Applied Art, serving  as editor from 1895-1919, when he retired, and his son, Charles Geoffrey Holme took over.

Los Dibujos de Heriberto Juarez / The Drawings of Heriberto Juarez

by Paul Rich

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Que los dibujos sean de la vida en Mexico no es sorprendente porque Juarez esta con stante y a veces traviesamente poniendo arte en la vida y obteniendo arte de la vida. No piensa que el arte sea algo que se produzca solamente en un estudio, o para tal caso, que deba ser mantenido en un museo y visto los domingos. Toma un plato en la cena y traza un boceto en el. Ve un espacio cercano a un area esco lar de juegos y quiere hacer una escultura que lo ocupe para que los ninos puedan jugar en ella. De manera importante, sus bocetos en este libro reflejan, como lo hacen sus esculturas, no sólo su espontaneidad sino su habilidad para comprender intelectualmente y perpetuar la esencia de lo que ve. Los dibujos son tanto espontáneos como intelectuales, lo que no es poca cosa. Eso indudablemente es magia.

That the drawings here are from life in México is not surprising because Juárez is constantly, and at times impishly, putting art into life and getting art from life. He doesn’t think of art as some thing that is done just in a studio or for that matter kept in museums and looked at on Sundays. He seizes a plate at dinner and does a sketch on it. He sees a space next to school playground and wants a sculpture occupying it that the children can play upon. Importantly, his sketches in this book reflect, as do his sculptures, not only this spontaneity but his ability to intellectually grasp and perpetuate the essence of what he sees. The drawings are both spontaneous and intellectual, which is no mean feat. It is indeed magic.

 

 

Washington Bookplates: Six Articles Reprinted from The Town Crier, 1925-1926

by Frederick Starr

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On November 11, 1889, Washington became the 42nd state of the United States. The state worked to put together the appropriate bureaucracies and other earmarks of its new status. As it came together, Frederick Starr, who had moved there, felt, among other things, the area could use a census of bookplates of the region. In Washington Bookplates, Starr examines several bookplates in detail, discussing, the owners’ intentions behind the illustrations, the artists and, of course, ties to Washington state. Bookplates with only a tangential link to a Washington author or owner are included as well. Washington Bookplates offers a look at historical design processes, publications and the creation of a state.

This new edition is dedicated to Dr. Albert Keller, remembering Harvard and Dunster days.

 

Lankes, His Woodcut Bookplates

by Wilbur Macey Stone, Illustrated by J. J. Lankes

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Julius John Lankes was born in Buffalo, New York in 1884, and became a prolific woodcut print artist, as well as an author and professor. As a child, he enjoyed working with the scraps of wood his father brought home from the lumber mill where he was employed. Lankes had a lifelong interest in art. He first worked in drafting after graduating from Buffalo Commercial and Electro-Mechanical Institute, but then attended art school.
lankes
Lankes was a prolific artist. It is estimated he produced over 1,000 woodcut prints. He worked on many, varied projects, including from a historically important collection of Pennsylvania Dutch barns, graphics in The Liberator, and illustrations to accompany works by Beatrix Potter, Robert Frost and others. In addition to A Woodcut Manual, Lankes enjoyed a long teaching career that ultimately led him to being elected to the National Academy of Design.

This new edition is dedicated to Charles Kreiner, an enthusiast for all things Buffalonian.